The Day Job: I was an American Apparel Model
Amidst crushing disillusionment, striped socks, and a bottle of baby oil, Queen Kwong is born.
The photographer hands me a bottle of baby oil, instructing me to slather it over my skin. Dressed in a tiny, sparkly lamé bikini and striped knee socks, I sit awkwardly on a stranger's bed in a dimly lit Echo Park house.
Act natural.
Open your mouth.
Lick your lips.
Relax. You're too stiff.
Open your mouth more.
I'm modeling for American Apparel. I'm not yet out of my teen years, yet I feel like a combat-weary veteran of Hollywood.
My skin is starting to break out in a pimply rash. It must be a reaction to the baby oil. Luckily, pimples are embraced in this ad campaign. The more natural youthful, the better.
After leaving Beverly Hills, it took me no time to learn that if you want to make it on your own terms in LA, behind the ill-conceived perception of glamor, there are countless shitty day jobs you must endure to have even half a chance of getting anywhere at all. I wage these battles and work these jobs against the backdrop of a non-cultured culture.
Modeling is one of my gigs now, in addition to working the floor at The American Apparel store in Los Feliz, where Rilo Kiley is on repeat, and the staff is fucking in the dressing rooms and stealing clothes by the trash bag full. And yes, we are all models. It probably would be a good time if I were able to get out of my head for one fucking second.
The constant conflict between respecting myself and upholding my feminist values versus objectifying myself for attention and validation is an age-old dichotomy. All women juggle their priorities to varying degrees of success in their versions of this balancing act. However, in the entertainment industry, the demands and their consequences are much more garishly pronounced. You walk a fine line between integrity and everything you must do to get where you want to go. You have to be both who you are and what everyone else wants you to be all at once.
*Please note that this post mentions drug use and domestic abuse.
I went from playing gigs at coffee shops tо playing іn front оf thousands оf violently screaming people while opening for Nine Inch Nails—all within a year. I didn't like the overnight attention, I didn't like the major record label execs mouthing cigars and farting around іn loafers, and I didn't like Beverly Hills. And the feeling seemed tо be mutual. Having met many оf my idols (well, maybe not my idols, but somebody's) and finding mostly disappointment, I'm a bit jaded. I'm barely legal, yet I feel as though I've been chewed up and spit out by the music industry. I'm bone-weary, at best.
Moving eastwards toward the hipster communities оf Silver Lake and Echo Park feels like a breath оf fresh air, at first. Yet tо be gentrified, these areas are still rife with gang bangers and taco trucks. A far cry from my former neighborhood's manicured lawns, rooftop bars, and swimming pools. Gone are the days оf rubbing elbows with Hollywood elites and eating sushi off naked women at extravagant parties іn the hills. Now, I find myself doing drugs with dirty dudes іn bands and integrating into the cool kids' scene at Spaceland. How cool, how cool, how cool…Ugh. Perhaps everything іs just a different version оf the same thing.
I live in a termite-infested duplex in Little Armenia, next door to a prominent indie rock band from Philly. I start to do speed with the neighbor while his wife is in rehab —for speed. He's twenty years older than me but seems like any other oversized, dumb boy. He says he can tell what a girl's pussy tastes like by smelling the top of her head. I try to keep him at arm's length, but he's always sniffing around.
Despite having a massive chip on my shoulder and a taste for amphetamines, I'm still a 4-year-old girl in many ways. I sleep in a bed full of stuffed animals. I line them up between myself and whoever is crashing at my house that night. They serve as a barrier, and it works for the most part. I'm playing tough, but deep down, I wish something or someone would save me.
Tommy Stinson from The Replacements is passed out on a half-deflated air mattress in my living room. I met him last night at The Beauty Bar, and supposedly, he didn't have enough money to get a taxi back to the valley. Isn't he in Guns N Roses now?
Are you a model?
I guess.
I have a daughter your age...
Feeling exhausted and without any clear trajectory, I shove my dreams of being a musician into the rearview mirror and lean into the American Apparel ding-dong persona. Because, sometimes, it's easier to be written off as a stereotype rather than have to explain yourself.
I'm painfully uninterested in "networking." I'm painfully uninterested in everything. My heart feels broken, my ego is shattered, and my dreams are in disarray. I was told I was going to get a big break, and instead, I was put on the highest pedestal, only to fall face-first. I'm resentful. But I can only blame myself, and the anger and disappointment are nearly all-consuming. I give up the plan of commercial success and commit to remaining a struggling artist. I tell myself it's because I have integrity, but it isn't just that. I'm overwhelmed by the excess of Hollywood. The exposure and celebrity I found myself surrounded by were noxious and suffocating. I want to be successful in this industry, but I hate most of the people who already are, and it's making me question myself. The only thing I'm sure of is my allegiance to authenticity over conformity.
And that’s part of the reason why I won't last much longer modeling. I can’t fake it. I'm not approachable enough. I don't smile with teeth. I don't hug strangers when I meet them. I don't do cocaine. Basically, I’m no fun. Also, I'm not too fond of pictures of myself. The confidence I once embodied has dissipated since moving to the city of angels. Maybe it's the daily rejection, the constant comparisons, the water bottles being thrown at my head by crowds of Nine Inch Nails fans. Perhaps all of the above. And who am I fooling? It's not as though I arrived here without bags full of pre-existing trauma and self-loathing.
A friend spotted me on a billboard while driving and took this picture (on his flip phone?) from his moving car. This is all I have of my modeling portfolio because that's how much I didn't care about the short-lived job:
I’m at the neighbor's when I meet this guy, let's call him Josh, from another LA band. He's somewhat of an infamous punk rocker in the hipster circuit. His hair is long and greasy, his pupils are dilated, and his body is all skeleton. But everyone swarms around him like he is hot shit. We move in together immediately. I'm working three jobs while he stays in bed all day in the same dirty Bad Brains tee shirt, wearing his sunglasses, popping norcos, and chain-smoking.
Josh is a bad drug addict. He never eats, he never shits, but at least he cooks for me. He makes a mean spaghetti and plays guitar in a way I wish I could —like a drug addict. He attempts to get me hooked on opiates, and I'm up for it, given how badly I want the escapism, but it just doesn't stick. No substance makes me feel enough of anything for it to become a vice. Josh says that makes me dull. He sounds a lot like my mother.
The upside is that he inspires me to try playing music again—not because he's encouraging, but because he isn't. It's as though he is daring me to play music because he's convinced I can't. Whether it's due to my stubbornness or competitiveness, his lack of belief in me drives me to want to prove him wrong. I sit on the floor and quietly hum to myself while playing guitar. Within seconds, Josh starts to berate me. He grabs the guitar from my hands and starts wailing on it.
THIS IS HOW YOU PLAY GUITAR, BITCH!
Yeah, he's an abusive asshole, but he's also right. I hate how I play guitar, too. I write songs I would never listen to rather than music I like. So, I stick it out and learn as much as possible from him. I make it into a game, bettering myself to overthrow him. I start a new music project called Queen Kwong — a play on The Kink's song, King Kong, using my middle name as an ode to my grandparents.
Breaking away from who and what Carré Callaway is associated with, I no longer have to be seen as a failed protégé. With this, I have freedom to do something new. I start recording demos on a Tascam 4-track tape recorder. The results feel immediate and raw. I upload the songs onto a Myspace page, and soon, a local niche radio station, KXLU, adds one of my tracks to their late-night rotation. Fans from around the world find me. I finally feel like I'm moving in the right direction.
Soon, things will become unbearable with Josh, but by the time I'm through with him, I will at least know who I am as an artist. I will break up with him after he breaks my nose. In retaliation, he'll ejaculate all over my clothes in the closet and steal my shitty antenna TV. He will say that I'll never be anything without him —as if that's something I haven't heard from plenty of men before.
I start telling myself that art requires suffering - a convoluted notion that serves to dismiss my pain for the sake of the creative process. Is it really about art, or am I just looking for any way to diminish my trauma for the sake of my survival? Tying art into it is merely a way to romanticize the primary coping mechanism of avoidance and my lack of self-worth. I constantly distract myself from my deep-rooted feelings of never being good enough by trying harder to be better. But, for now, I'm back to being in my natural state: alone but determined to survive and hungry to play music.
In this new phase, I’m not just another face in an ad. I’m carving out my own space in a world that has tried to box me in. The road ahead will be challenging, but it’s uniquely mine. And for the first time in a long while, that feels like enough.
c u next tuesday.
XX CARRÉ
ps: please “heart” this post or share/comment. your engagement helps me reach new readers.
Absolutely love these. I look forward to the next stage of the journey every week. I empathize with so much of this. I didn't have these exact experiences, of course, but those relationships consumed completely and utterly in narcissism and ego... men throwing their dicks around like there aren't a billion others out there... manipulating and degrading someone to fulfill their agenda... I'm so sorry you've gone through all this. And American Apparel (eye roll) - I'm amazed you made it through! And without a plethora of photos of yourself out there, too! What a win!
Oh, Carre.... I always hated American Apparel because of its ads and the obvious exploitation of the very young girls featured. But your experience was so personal -- and awful. I'm sorry you went through all that, but the strength and determination you have is mind-blowing -- particularly at such a young and tender age. (I really love that photo of you at 19.) And... thank god you weren't "able" to become a drug addict. Angels on your shoulder...
Keep on writing. We can't stop reading!